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On a Vietnamese trail

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Celebrating Vietnam and its culture is 'Benjarong' with its Saigon festival by expert chefs Nguyen ThiNho and Ly Kim Ngan. The young chefs hail from Ho Chi Minh City, formerly known as Saigon.

Ask chef Nguyen ThiNho about the festival and she says, "We wanted to bring the flavours of Vietnam to the city and celebrate our food with the world. As the city has a lot of foodies who like to explore different cuisines, this festival gives them a chance to try something new. It took a lot of work to match the flavour palates with the taste we have back home but our hardwork has paid off."

With the ongoing festival, the expatriate chefs are in the country for a month. They will also be flying to Chennai and Kolkata for the food festival in other 'Benjarong' restaurants.

Chef Ly Kim Ngan says, "Bengaluru has been very good to us so far. The autorickshaw rides are very funny and amusing. I love having 'onion dosa', 'appam' and 'chicken curry' here. Though many like having the 'parotta' with a curry, I prefer mine with 'payasam'."

The duo hopes to make some time between the restaurant hours to explore other things in the city. One of the things that chef Nguyen is looking forward to trying is 'chicken biryani'.

The festival features one-of-a-kind delicacies curated by the chefs. The menu includes a wide range of mocktails, appetisers, salads, soups, main course dishes and desserts. The 'Gaoi Cuon Tom vdi Tuong Ngot va Do Chua' (Vietnamese fresh shrimp spring rolls dipped in fermented bean sauce and mixed pickle) is a great start to the meal. For the main course, 'Cary Ga Nuoc Cot Dua'(Vietnam chicken curry in coconut gravy) and 'Ca Khi To'(caramelised fish in clay pot) go perfectly well with 'Com Chien Hat Sen va Thit haoc Hai San' (fried rice with lotus seeds wrapped in lotus leaf) and 'jasmine rice'. To end the meal, there is 'mung bean cake' and 'crystal steamed banana cake served with coconut cream'.

The Saigon festival is on till July 24. 'Benjarong' is located at 1/3, Ulsoor Road, behind Manipal Center.


Knot in the hills

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It's a common saying that marriages are made in heaven but little do people realise that they can meet their partners in the wilderness too. After all, trekking and travelling with your soulmate and living amidst nature can be nothing short of a romantic experience.

A journey often blesses one with a bouquet of memories and a number of stories to tell the world.

For many in the city, it's the story of how they met their partner that they often recall. They make a new friend (who later becomes their soulmate) when they go trekking through an organisation or even while undertaking a solo trip. And most couples unanimously agree that nature has played a huge role in strengthening their bond; for, out in the wild, people generally show their true selves to each other and don't hide their inherent qualities under any garb of pretence.

Manali, an avid trekker, says that she has found an increase in the number of trekkers who join trekking groups as they wish to make new friends. She says, "On a trek, one can make friends in the wildest and most random situations. In a group, the stranger who saves you while you're falling off a cliff or about to slip, can turn out to be your best friend. I run a small software company and I see many employees going for treks through trekking groups. I also encourage them to go on trips with their spouses before marriage as the bonding happens at a deeper level."

She met her husband, Ashwin, on a trek in 2003. They got to know each other and became friends when they took part in a number of activities such as tree plantation drives and waste management projects that involved the outdoors. "Nature does help one get to know somebody at a deeper level, even if they don't intend to."

Similarly, professional Gopal Kishore met his wife Smitha when the duo trekked from Kodaikanal to Munnar with the Youth Hostels Association of India. He says, "We weren't supposed to meet but I guess destiny had another plan. She was part of another group and ended up in mine because there were not enough people in hers.

Interestingly, the village has this tradition where one has to remove their footwear outside the village and walk barefoot all across. The trek was challenging enough. I never keep in touch with my trekking buddies later. However, after having taken care of Smitha during the trek, I realised I wanted to take care of her forever!" He credits the outdoors for strengthening their relationship.

"The fact that we were together in a challenging environment forced us to be completely natural and not at our best behaviour. It helped us understand each other's real nature. The long duration of the trek resulted in the sharing of several details that we usually keep to ourselves. Nature brings out one's true self and when someone else sees that and decides that it's what they really want, then that is the perfect match."

While it's a great sign that trekkers are increasing in order to meet new friends and find their soulmate, this shouldn't be the only reason for someone to go on a trek. Gopal adds, "I recommend trekking to everyone, not because they can find their perfect soulmate but because they can discover themselves. If someone likes the outdoors, there are high chances that they will find someone with similar interests and wavelength. I recommend that everyone should try trekking solo as well as in groups, whatever the intention. If their intention is to only find a partner, nature will ensure that they find other things as well."

Hitesh, the founder of trekking group 'Nirvana Nomads', says, "I met my wife Megha, on a surfing trip in Kodaikanal around 2012. Travel did work its magic and we kept in touch and developed a special bond. However, people shouldn't go on treks for this reason only. There is so much more to travel than just finding a partner. If it happens, it's special."

'Music is my life'

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For many years, Vietnamese musician Nguyen Thi Hai Phuong has conquered the hearts of traditional music lovers, both at home and abroad, with her rendition of 'Dan Bao'.

Her contribution and understanding of traditional music is like no other.
In a chat with Tini Sara Anien at Indigo Live Music Bar, Hai Phuong spoke about how music has transcended beyond boundaries.

How does it feel to be in India?


This is the first time I'm in India and I cannot explain my excitement. Bengaluru is a well-known city and I feel blessed to be in the presence of other great world musicians. Bengaluru is a beautiful city and this is my dream come true.

About your instrument 'Dan Bao'...


It's a traditional and a one-string instrument. The music stands apart by itself or can even be combined with different instruments like the piano or other instruments, but the music is unique.

How much has music changed since you started performing?

From traditional music to Western music, a rampant change can be seen. Music has no borders and it can keep transforming to be passed on to all. All genres of music is going through a huge change across the globe.

What Indian music have you heard?

I love traditional Indian music and the structure it follows — the 'ragas' are very perplexing and pleasantly surprising. The way a 'raga' progresses or takes form is a mesmerising process. I have heard musicians performing the stringed-instrument 'sitar' and I loved it. It is very different from the sound and music I have ever heard. The melodies are different here and I cannot explain how impressed I am.

How different is the music you play?


We do not have a fixed format in our music. Our music doesn't follow a particular structure.

Your thoughts about contemporary music...

Though I play a traditional instrument and I am an artiste from the old school of music, I believe that all sorts of music can survive in this world and be presented on varied or shared platforms. Music has a strong influence in one's society and it will continue to live as long as humans do.

What are your expectations from the Indian audience?

I'm looking forward to the different collaborations possible here. I want the Indian audience to listen and experience the music I play. I am looking forward to interactions on the same too. I am open to any sort of feedback about the music.

What is music to you?

As I am an artiste, my answer to this will be simple and straight — music is my life. It is everything to me and everything I have ever known.

'I believe in myself'

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Bengaluru-based ace tennis player Rohan Bopanna will pack up in a few days to leave for the Rio Olympics.

He just completed playing a couple of matches in his homeground and appears just as cool as he is off the court as when he is on it. Rohan says he is looking forward to being at Rio not only because he's proud to represent his country but also because the Olympics happens to the be one place where the best athletes from across the globe descend on a common pitch.

In an interview with Nina C George, Rohan shares his thoughts about getting ready for Rio.

Are you excited?

I am very excited! This is my second Olympics after 2012 and a lot has changed after that. I am looking forward to the new season.

Any special preparation before heading for Rio?

There are really no special preparations for Rio. I have always been adhering to the schedule when it comes to practising, training and maintaining a balanced diet. I continue to do the same. It has helped me stay disciplined and focussed.

Are you under any kind of pressure?


Why should I be? This is one of the best events in the world and I intend to enjoy every moment out there, rather than get caught in stress.

Are you a foodie?


I am not fussy about food and try all kinds of cuisines. This time while at Rio, I hope to try out some Japanese food, 'sushi' in particular. Anything with a salmon base is a favourite.

Do you intend to go sightseeing?

More than sightseeing, I would rather go watch the other players in action. This is one of those rare moments that I don't want to miss. And yes, if time permits, I would like to move around a bit.

Your advice to young people representing the country for the first time
at Rio?


Just go out there and have fun. Believe in yourself and do your best.

A must carry when you travel...

My phone is loaded with music and I am plugged on whenever I am on the move. Music always motivates me to stay positive. And, I carry my camera because I don't want to miss out on some best moments.

Any fears?

None. I've worked really hard and above all, I believe in myself.

The small wonders

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Urvi Shah was always interested in art and craft as a hobby but did not ever think about pursuing it seriously. It was a chance look at a relative's wedding trousseau, back home in Mumbai, that set her thinking.

"It is a custom among Marwaris that whatever is sent as a part of the wedding trousseau must be packed and decorated beautifully. We saw the decorations and wondered — why can't we do something like this ourselves?" says Urvi.

Thus evolved her interest in handmade products. The items include 'diyas', hangings, torans, small mandaps, hanging chains, ring stands and many more.

SaysUrvi, "I was always enthusiastic about trying my hands at making things but this is the first time we are actually doing it on a large scale. Initially, I used to make some small items in my free time. Gradually the size and scale became bigger and relatives started asking for our help while decorating their homes during functions. After we came to Bengaluru, I continued making stuff and these were placed in our house itself. Later on, when some of my husband's colleagues came home, they asked us to exhibit our products in different venues in the city since many people here were not aware about this venture of ours."

The use of the word 'ours' is justified. Viral, her husband takes a keen interest in his wife's work and helps her in making the artefacts. And Urvi is all praise for him. "He has always encouraged and supported me in my venture which is why I am able to pursue my hobby," she says.

A brief glance at some of the articles around her give credence to the fact that it would indeed have been a great pity if she had not utilised her talent. Bright colours and intricate designs seem to be the dominant idea. An unusual item are the different types of 'mandaps' which can be used for small functions or religious purposes. Flowers are a major part of the decoration and have been made by hand, using different materials. Beads, stones and mirrors are other preferred accessories and give the end product a dazzling and professional look.

The 'diyas' are works of art in themselves, presented in colourful and creative designs. These designs largely derive inspiration from traditional motifs and patterns. The 'torans' and the wall hangings too sport such styles in a contemporary manner with vibrant colours. And her customers seem to love these experiments, says Urvi. "I have had many people come up to me and enquire about the process of creating these things. It makes me feel recognised as an artist and is a great motivation."

Talking about the importance of using quality materials for her work, Urvi says, "It is very important to use only the highest quality raw materials since I want my products to be long-lasting. While I was in Mumbai, I knew exactly where to go to find whatever I needed. I am not very sure about the places here and I don't want to experiment with new types of articles either. So I still source the materials from Mumbai. I buy coloured stones, beads, metal balls and even the LED lights we use in door hangings and 'torans' from there."

Brene Brown once said, "Creativity is the way I share my soul with the world." And nothing makes Urvi happier than when she is creating something. "It is a laborious process and many things can go wrong but finally when you have the finished product in your hand, the exhilaration and sense of accomplishment is unmatched."

Rajitha Menon
(Urvi can be reached at 9620142768)

'I'm happy where I am'

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Imagine this —your friend went on an international trip and told you that they had a wonderful time and that the city was very nice and welcoming. When you are happy that he or she had a great time, the next thing your friend suggests is that you should think about packing your bags and moving to that city. How would you react?

It's quite normal for you to get angry at your friend or brush this comment off as a joke. But Misato Nakamura took it quite seriously and moved to India from Kumamoto, Japan in 2014.

She says, "The house my friend was staying in had a Japanese owner. When the owner had to come back to the country, the company she worked for started looking for a replacement. I thought it would be interesting to shift to a new country and so I did!"

Now, Misato works as an account administrator at Takasago Engineering India Pvt Ltd.

Apart from having a Sikh friend in Japan, Misato had no connect with India and no idea about the Indian culture or lifestyle. However, she didn't get a culture shock when she moved here.

She says, "I grew up in the countryside of Japan, so coming to a place like Bengaluru wasn't a big shock to me. Had I been in Tokyo, I would have probably been taken by surprise. This city has been very nice to me and the weather keeps me happy too." She says that Bengaluru is also very generous to foreigners.

Over the course of two years, she has adjusted to the city very well. While the food was a problem initially, she eats Indian food everyday now.

She says, "Back home, I would often visit Indian restaurants and indulge in delicious 'butter chicken'. Though it tastes different here, I love it and all the other dishes as well. 'Paper masala dosa' is one of my favourites." Misato also loves going to 'Portland Steakhouse and Cafe' for a good steak.

The enthusiastic expatriate enjoys going on solo trips around the country. She has travelled to Gurgaon, Puducherry, Chennai, Mahabalipuram, Mysuru, Hampi, Nilgiris, Thiruvananthapuram, Mumbai and Goa
so far.

Ask her about the communication problem that she faces while travelling and she says, "It's not that bad actually. There's usually someone who speaks English or else, I make sure to find someone who does."

During her weekends here, she spends time with her choir group. If there are shows, then she's busy making her mark on the stage. And if she gets a three-day holiday, she plans a trip within the country.

With her new lifestyle here, Misato says that she doesn't miss home at all. "I'm actually glad that I don't live in Japan anymore. I grew up with the same 32 people from elementary school through high school. Everyone knows everyone there; it's quite annoying. I left my hometown for university and I try to visit only once a year," she says.

During her last yearly visit, she stayed at home for three days and travelled to the US and Tokyo for the remaining time.

"Unlike the rest of Japan, Kumamoto families are very close to one another. Though our priority is work, we are still there for each other when needed. It's very similar to India in that way," she points out.

However, pointing out one of the dissimilarities with the city, she laughs and says, "We don't have spicy food everyday."

Misato loves wearing Indian clothes. She's so comfortable in 'salwar' and 'kurta' that she wears them when she's not in the country as well.

She also sends 'mehendi' to her cousin back home. Highlighting a quirky factor, she laughs and says, "Photography is one of my hobbies. I've always seen zebu and I think their hump is so cute. I hope to touch it one day."

Unlike other expatriates, she isn't someone who brings a stack of goodies from home. She says, "It was my choice to come and live here. It was my choice to want to adjust here. So bringing products from home doesn't make sense to me. I also don't buy any Japanese products available here as they are very expensive."

But the one thing she does buy from Japan are books and black garbage bags. "After the plastic ban, I find it quite difficult to throw my trash. I have a stock of garbage bags for now; I'm not sure if I'll get to buy them here once it's over."

Even with the little troubles that she faces here, she can't imagine living anywhere else in the country.

"Bengaluru is one of the best cities in the country. If I am told to live anywhere else, I might just leave the country and start a new life somewhere else. But for now, this is my home and I'm happy where I am."


Pepping it up with props

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You don't take a photograph, you make it' said Ansel Adams, the renowned American photographer.

And if you are a somewhat active user on photo-sharing app Instagram, you will see how budding photographers are taking his words to heart — literally! While photography is seen as a skill which knows how to make the best visual use of the available natural elements, instagram users are experimenting with new and creative props to add that extra appeal to their pictures.

An good example of this would be Bhumika Bhatia, whose handle name 'bhumikab' has followers numbering over 20,000. She has experimented with the props, including the unassuming 'dupatta', to come up with some stunning photos.

Says Bhumika, "I always try and use props in photographs because they add depth to the picture and help me convey my emotions in a more natural manner. Be it a 'dupatta', a headpiece, some leaves or even flowers for that matter. I really love to challenge myself and get outside my comfort zone. So I try and pick an object and test my skills as much as I can. It helps you grow as an artist and you get to know what works best for you and what doesn't."

It is said that props are a great way to take command over the colours in your photos. One of the most fascinating ones to use for pictures are 'smoke bombs'— fireworks that produce colourful smoke upon ignition. Tareeshi, a popular instagrammer, vouches for this. While usually her photos are quite minimalistic with brilliant combinations of water, light and shadows, she has used smoke bombs in a few pictures to great effect.

She says, "I don't know how to photoshop so I instinctively depend on factors such as the natural (sun)light, wind, etc to get the right shot. The use of props is a welcome change because they become a noticeable element in the photographs. You can play with props however you like and they really are fun to experiment with. I remember having a field day with the smoke bombs. The results were fascinating and I remember getting a lot of questions about where they can be bought."

Says Anurag Baruah, whose Instagram feed (aberonx) is a visual delight with beautiful portraits, dazzling fireworks, scenic landscapes and so on, "I feel props are a great way to accentuate the feel and meaning of a photograph. We all use props in one way or the other. For some its a simple string of lights, and for others it may be a starlit sky in the background. Props add a relationship between the subject and the background. Some photographs require complex props, but sometimes the simplest of things can entirely change ordinary photographs into pieces of art. There are tons of ideas one can try out using just a simple prop that can turn their images into masterpieces."

But a little restraint is always necessary. "I restrict myself to using props only once in a while otherwise I feel they would lose their appeal," says Tareeshi. "Props are a great way to enhance a concept you may already have in mind or even to jazz up a simple photo. The key lies in experimentation and finding your style," she adds; we couldn't agree more.

Through a virtual journey

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Remember the time when you were looking for the perfect course for your bachelor's degree and couldn't decide which institution to opt for? Or that other time when your cousin who topped scores in the Board exams was clueless about which stream to choose? Helping through this difficult journey of decisions and future plans, is the virtual online platform by three enterprising entrepreneurs — 'Enrichexpo'.

The team comprising G S Sreekiran, former dean of Dayananda Sagar Institutions; Swati Bondia, a postgraduate student of management and the youngest entrepreneur in Karnataka (2015) and Jithin Sali, who has seven years of entrepreneurial experience, came together to give their vision a shape. Swati says, "We all have gone through this procedure, when things seemed uncertain and it was strenuous to take decisions on which institution one should study and which course to take. All of us, used to interact with educational institutions on a regular basis, and that's when we realised the huge amount of money that is spent by these institutions too."

Helping to cut down this kind of a huge expense was the primary goal and bridging the gap between the student and the educational institutions was the focus. "Sreekiran had a clear idea about how educational institutions functioned and this helped us to render to exactly what they wanted," she says.

There are many students who seek admissions for engineering and medicine stream but drop out during the course of time or end up not getting a preferred job. "Students are often confused about selecting the right career and developing the required skill sets, which leads to alarming rates of depression etc," she says. This was another challenge the team wanted to address to. Swati and her team aim to clear this air with their startup.

Under the banner of Next Best Solutions (NBS), this startup seeks to provide end-to-end support to students and even parents. "The platform aims to identify one's capacities by a specialised centre called 'Center for Learning and Advanced Preparation' (CLAP) in Pre-University colleges, Plus 2 school and High School education. A unique 'Career Potential Assessment Test (CPAT)', an online potential assessment and career direction test, helps analyse one's interest and capabilities. This is supported with 13 to15 workshops for students and parents, where parents are trained to become good mentors. We also provide counsellors and a counselling hotline for students and parents for daily support," she details.

Once the potential of a student and his or her possible career path has been identified, the platform helps showcase possible institutions that fit one's geographical demands across the country. "Aprospective student sitting in Kolkata would be able to identify the best management or IT related course and institution for her in Bengaluru, with this space. The virtual education exhibition provides a student the option to directly interact with the institution through a virtual 'Dynamic Smart Stall' with faculty members, existing students and alumni, a virtual reality tour and even take a demo class," says Swati.

The platform also provides options to check out scholarship programmes and other support options for students.

Moving to another part of the city or country can be taxing for the students and the parents.

The platform also provides solutions in respect to places of stay etc. "We interact with the alumni of institutions for suggestions of safe and ideal options one can go for," says Swati. The trio go by guidelines, criteria, feedback and actual screening by the team, that helps sort the institutions and other affiliated needs for the students. "We want to make sure that a student's journey is a smooth one to a bright career," she says with a smile.


The bold and the beautiful

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As a brand 'Unlimited' constantly works towards keeping in tune with the changing fashion preferences of the youth. Their latest collection — 'Sugar' and 'Colt'— reflect the spirit of the youth.

In tune with change

The designs that the brand offers on is always aligned to the its philosophy. The design team works to incorporate all the key international trends in the season's collection. Delving into the thought process behind the latest line — 'Sugar' and 'Colt', C S Shekar, CEO of 'Unlimited', The Family Fashion Store, an initiative of Arvind Lifestyle and brands, says, "'Colt' is called 'Playful Rebel' which is based on offbeat colours and street styling, influenced from pop elements that bring in a sense of playfulness."

He adds that the brand also has a strong collection knit around 'Underground Music' which celebrates underground melody based on elements like punk rock and other music genres.

Shekar says the collection for girls 'Sugar' is called 'Quirky Kitsch'. "As the name suggests, the graphics and prints have an element of 'quirk' to them and the silhouettes are also playful and young. The colour palette has pop and fun to support the kitsch element." In 'Flora Centric', the prints are floral inspired. From design, styling, merchandising, the customer is at the core of every collection, says Shekar.

"There's extensive research that goes into finalising the concepts which are in tune with the international trends and forecasts. Added to this, we ensure that we stay true to our brand ethos by providing great fashion at affordable prices and keep refreshing it so that we always have something new to offer."

The brand's affordable pricing is also what sets it apart. "Our strong and efficient back-end team ensures that we get best possible costs for our products and hence, we are able to pass on the price benefit to our customers", explains Shekar.

He also states that they believe in constant innovation and improvement of their
products. It's not just the clothes, the brand also has a section of accessories that can go a long way in enhancing the overall look of the customer. "We follow the same trends across apparel and accessories and try to bring in similar elements which binds the entire collection together," Shekar says.

Badri Vishal, a student of Aquarius Animations, picked up a red and blue checked shirt and matched it with a white T-shirt and beige trousers.
Punchline: "The shirt and T-shirt fit well. The colours go with any trouser. You could wear it with formal pants, cargos and denim too. "
Price: Shirt (Rs 799), T-shirt (Rs 499) and trousers (Rs 1,099).

Anu Karagada, a student of Jain College, slipped into a floral printed short dress.
Punchline: "The floral prints on the dress make it a perfect wear for a lunch out. It has a very bright feel to it. Wear a jacket with boots and you are ready to go. The
affordable pricing is another interesting aspect of the brand."
Price: Dress (Rs 999)

Bhumanyu, a student of Manipal University, wore a white shirt and paired it with beige shorts.
Punchline: "There's something very youthful about my outfit. The white shirt with small red prints make it an unusual pick. This contrasted with brown trousers, complete with a denim border, add that extra zing to the outfit."
Price: Shirt (Rs 799) and shorts (Rs 799).

Sahana, a student of Lisaa School of Design, wore a sleeveless bright orange printed top and matched it with off-white trousers.
Punchline: "I find the combination very attractive. You could either wear it to casual outing with a jacket or wear it to a formal event. The possibilities of styling are immense."
Price: Top (Rs 699) and trouser (Rs 899).

Zahid, a student of Garden City College, wore a printed white T-shirt with denims and completed the look with a checked shirt.
Punchline: "This is perfect for college. The colour contrasts are in keeping with the tastes of today's youngsters. The colourful shirt enhances the look."
Price: Shirt (Rs 699), T-shirt (Rs 499) and denim (Rs 1,099).

Payal Ponnanna B, a student of KLE Nijalingappa College, picked up a pink, blue and yellow printed top and paired it with dark trousers.
Punchline: "The clothes are stylish, light and easy to maintain. I really like the mix of prints on the top because it gives one the freedom to play around with the look."
Price: Top (Rs 699) and tights (Rs 899).




Turning back in time

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This photograph was taken in 1982 during my brother Srinivasa Murthy's wedding at a choultry in Baiyappanahalli, Ulsoor.

This was a very memorable and pleasant occasion when I felt really happy in the company of relatives and friends from both the bride and bridegroom's side. The choultry was booked for three days with several rituals on the agenda. Pandits and other vedic scholars were also present on the occasion; in fact, the bridegroom is a vedic expert.

Incidentally, there were many guests on the occasion who happened to be musicians, poets and stage artistes and entertained us with their talents. Added to this, there were some children who sang and danced to the musical tunes played on the tape recorder. My father B R Nagaraja Rao was a dramatist and speaker who gave discourses on many religious subjects in his village at Anekal. He was fluent in all the South Indian languages and brought up his children well, providing them with good education.

There are two memorable festive occasions in which we always participated and strictly adhere to them in principle even now as it is an obligatory commitment. One of them is Garuda Panchami which takes place in 'Sravana masa' in August. We, the sisters, would serve our brothers a festive treat followed by some gifts. We would also apply 'chandan' and 'tilak' on their foreheads, sprinkle milk on their back and smear turmeric powder on their hands and feet, following by offering juice and fruits to them. We would perform the rituals in the presence of our parents and the same tradition is being followed even now. However, these days, it is normally performed by us in a spacious place or a mini choultry taken on rent since the number of participants have increased.

We also celebrated 'Deepavali' (which takes place in 'Karthika masa') with much fervour with the entire family. Now, we gather at any of our brothers' or sisters' place in the city to enjoy the festival of lights together with our children.

I got married to my maternal uncle's son, Kalyanasundaram, who served in a defence establishment and is now retired. I worked as a teacher in an Army school for over six years and later at other schools in the city. I also worked as a teacher at Geetha Bharathi School in Mysuru for two years at a time when my husband was posted at DFRL.

My eldest brother B N Ramakrishna was a renowned Mathematics teacher at ITI Vidhya Mandir. My brother B N Gopala Krishna worked as a principal while B N Bhaskar was a teacher at Vikasa Higher Secondary School
The other brothers Madhava Rao was a chief chemist, Srinivasa Murthy an
engineer and Krishna Kumar an executive engineer.

My eldest sister Vasantha and two other sisters Sarala and Shaila also served as teachers in Ramamurthy Nagar.

After serving as a teacher for over 20 years at different schools in Bengaluru, I left my job. I was given a warm farewell by the school authorities and also by the students expressing their sense of attachment towards me. I felt a little sad but at the same time, it makes me happy when I come to know that many of my students are now holding prestigious positions in various walks of life.

Besides celebrating the important festivals together, we also gather as a family on various occasions, since everyone is based in the city itself.

We join each other in the month of 'maga' (in February) and arrange a trip to a holy place for taking a dip in the river. We enjoy going for tours to different destinations as well.

Sometimes, I also meet my friends of yesteryears living in and around the city and share memories of the past.

Bengaluru, as it is now, has lost its original scenic beauty due to overpopulation, heavy traffic, high rise buildings and pollution.

However, I love the place more than any other city for the simple reason that this is where my siblings, parents and I created some wonderful memories and we still continue to live here, well-settled with our families. This city has nurtured us and is a much cherished home for me.

Shantha Kalyanasundaram
(The author can be contacted on 9886805585).

Clearing the air

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Actor Ranveer Singh got irked when actor Deepika Padukone was quizzed about their rumoured engagement, and requested mediapersons to ask good questions.

There have been rumours about the wedding of Ranveer and Deepika since a month, with some reports suggesting that the 'Bajirao Mastani' co-stars are already engaged.Recently, the duo attended a special screening of Irrfan Khan-starrer 'Madaari'.

When Deepika was asked about her rumoured engagement, Ranveer looked at her and said, "Let's go."

The 'Piku' actor said "Thanks, bye" to reporters before walking away.
Ranveer then told reporters, "Jis type ki film (referring to 'Madaari') dekhi hai, uska toh lihaaz karen, is type ki fizool ki baatein na karen (show some regard for the film that is being screened here, do not talk nonsense)."

The 31-year-old 'Lootera' actor then went to see off Deepika. He later came back and said, "Jaise type ki film hai, toh achche achche sawaal karna, meri request hai aapse (Ask good questions, as is the film, it is my request to you)."

Earlier, Deepika had refuted reports of her impending marriage, saying she has no plans to tie the knot anytime soon.

Deepika, who was the showstopper at ace designer Manish Malhotra's couture show, took the opportunity to set the record straight about her personal life.

"I think this is the right opportunity to clarify for everyone, there is no such plan (to get married). I am not pregnant, I am not having a baby, I am not engaged. I am not married and I am not planning to get married any time soon," the 30-year-old actor said.

A gnawing gap

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Teenage is a crucial age for the development of a child. The level of emotions, trust and understanding plays a vital role growing up. Parents find it a challenge to deal with this new side of their children, which often leads to a communication gap between them.

"Teenage is often said to be the age of expressing emotions. Children sometimes tend to believe that parents don't like them, as they always see an angry parent. That's when they trust their friends more and seek freedom from their parents," says Hiya Roy, a lecturer at Jyoti Nivas College and a Clinical Psychologist.

However difficult it may be, it is always wise to talk to children openly In the long run, this can help a child grow more secure and trust better. The communication gap between a teenager and their parents, has always been a topic of discussion and a hard one to solve.

Hiya points out that this leads to unwanted friendships and relationships. "They lean more towards people where they find love and attention." Highlighting the fact that whatever is felt should be communicated immediately — 'no one understands me' — is a common statement that a teenager expresses.

Communication is an important aspect in any relationship and failing to do so widens the gap. However, it is not hard to prevent this. Due to the stress and strain of modern living, these differences worsen in some cases.

Dr Sulata Shenoy, Director 'Turning Point' Centre for Psychological Assessments, Therapies and Counseling says, "It is wise to accept this as being a natural process and see things from each others' perspectives and not pressurise the other to accept one's point of view. Parents often compel their children to conform to their own judgement of how children should behave, dress, study, socialise, etc."

"There is also a widespread apprehension about the possible distractions and
misfortunes fuelled by media and living up to the expectations from their family,
friends and colleagues make parents feel over anxious, critical and overwhelmed," she adds.

She advises parents to not compare their children or siblings, as this may lead to a rebellious behaviour. "Being patient and trying to see things from the child's point of view is a good way to bridge the gap. Focussing on real values and empowering teenagers in wise decisions make for a good future. Take time to understand your teen, their friends and choices," she details.

Agreeing that time is one of the important factors for a healthy relationship is Preethi Madhu, a mother of a 16-year-old daughter, Ananya. Being a working mother, she has many things to balance. "The time and patience I have to listen to my daughter is less," she says. "Children of her age want to talk and share, but sometimes I either don't agree or take the time to understand. So the issue is not with them, it is with us. We are a generation caught in between as my parents never believed in talking or sharing," she adds.

So how does she try to bridge the gap? "My husband and I take turns to talk to her and listen to what she has to say, and she knows that she can talk to us about anything. Sometimes, when I am unreasonable, I apologise to her," she says.

Ananya sometimes becomes very demanding, that's a problem that Preethi can't deal with very effectively. Recalling her own teenage days, she says, "I could only ask and not demand, parents were the one's to decide. But today's generation is demanding. I try to reason with her and sometimes it works and we eventually figure it out, but it is not always a smooth journey."

Tradition with a modern twist

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Working with traditional handwoven weaves is Juilee Bendkhale's forte. She launched the label 'Zuilee' on the Gen Next platform for the Lakme Fashion Week and soon became a favourite amongst discerning women across the world.

She was recently in the city to showcase her khadi and silk apparels. In a chat with Anila Kurian, Juilee talks about her collection and how she's made a mark in the industry.

Tell us about 'Zuilee' and its inception.

After I graduated from my course in apparel designs in 2002, I worked with a corporate fashion brand for a while. The idea of working with handwoven and khadi textile base interested me. I wanted to make fashionable clothes the authentic way, using the traditional weaving techniques with a modern touch. That's when I visited various weaving and craft clusters in India to connect with the artisans directly. Thus, began the journey of 'Zuilee'.

Where do you draw inspiration from for your collections?

My inspiration comes from the craftsmen and the craft itself. Apart from the researching techniques, I also look at various motifs, yarn qualities and colour used traditionally, especially the ones that aspires the artisans. That's how each collection comes about.

Tell us about your khadi and silk collection showcased in the city.

We are showcasing a lot of lightweight silks and khadis in modern cuts and silhouettes. It also has a gorgeous blend of traditional and modern techniques. The collection also comprises of soft silks and breathable khadis. The colours of the silk impart vibrancy to the collection while the khadi colours make it beautifully serene.

What makes your collection different from the others?

The khadis are made up of completely natural, rainfed and pesticide-free indigenous organic cotton. We acquire the organic cotton from rural Maharashtra, handspun and woven by the local women. The collection, thus, has a minimal carbon footprint and is stoically rooted in the 'swadeshi' movement. Every garment is delicately crafted with pick-stitched detailing. The collection is structurally distinguished by flowing abstracts, geometric patterns and Ikebana florals.

When can one wear a 'Zuilee'?


'Zuilee' has different handwoven weaves like 'ikats' and self-textured stripes complemented with tie-dye 'laheriya' silks — all in contemporary cuts and silhouettes. Going beyond the traditional style, 'Zuilee' has crafted innovatively handwoven lace-like textiles in abstract patterns. These abstract textiles are smartly interpreted as day dresses as well as stoles. So basically, anytime!

What do you think about the fashion trends in Bengaluru?


I have seen that women in the city have a natural appreciation for traditional Indian textiles. I am confident that my collection will also be loved by Bengalureans. It's important that as Indians, we develop a modern interpretation of our traditions and not follow Western brands as benchmarks of being modern.

Is there a particular style that you'd like to get rid off in the market?


I would like it if people stop donning cliched Western clothing styles. As Indians, we need to get over the colonial hangover and develop our own indigenous modern stuff.

Your advice to women who aren't confident in what they wear.

Believe in yourself and find your identity. When that happens, the confidence and style will follow.

Weaving in ideas

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The students of Srishti Institute of Art, Design and Technology put up an impressive show — a blend of creativity, innovation and practicality — at the 'Srishti Expo 16' to celebrate 20 years of the institute.

Themed 'Generating Alchemy', the event saw a number of outstanding exhibits crafted by talented students, with many focussing on eco-friendly ideas, exploring alternative design systems and human centric schemes.

"The expo is showcasing not just the works of our final year students but also of the research labs and PhD students. Each of them holds immense potential for the future," said the director of the Institute, Geetha Narayanan.

There were two halls full of displays and every student came up with an interesting design which was unique. Final year student Siddhant Beriwal prepared a project revolving around manufacturing banana fibre. "It started with the process of extraction from the banana bark. After that, we followed the traditional styles of hand-knotting and hand-spinning to develop a continuous yarn. Then it was handwoven into fabric and can be used as a substitute for linen," he said. He highlighted that he employed 60 craftsmen for a month from a village in West Bengal and also came up with four shirts and a Nehru jacket using the fabric which can be incorporated into daily wear. Provision of livelihood was an important motive behind this.

Maithili Borkar wonderfully tapped into the idea of utilising industrial waste and excesses. "While producing cloth, the starting and end parts of the yarn are thrown away and end up in landfills. I aim to put it back in the usage cycle," she said. Maithili bought wholesale cloth (discarded cotton, khadi and polyester) and accessories from the market here and collected old saris. Combining both, she created a yardage that can be used to make bedsheets, carpets, apparel and laundry bags.

Jayati Sood worked to reduce the use of plastic. Explaining her concept, she said, "The black plastic liners that people use to line their dustbins are not very good in quality and they only contribute to the garbage on roads after we dump our waste in it. So I came up with these newspaper liners called 'layer pockets' in three different sizes. One can place about 10 of them together in the dustbin and discard one a day with the waste, sealing it with the flap on top." Shreya Vyas has created an exciting journal app for children called 'Planteria' which encourages them to explore nature in their backyard and neighbourhood by carrying out activities as well as creating them.

Contributing to the pool of diligent ideas was also Vanika Khanna, another student, who worked on a proposed goal by UNESCO. She endeavours to make cities sustainable and promote road safety awareness in Bengaluru. For this, she did a study with the Bengaluru Traffic Police and has come up with illustrations built into a desk set which includes a calendar, a pocket notebook, a mug and bookmarks. "The idea is based on 'nimbu-mirchis', 'drishtibomai', feng shui coins, 'teesrinazar' and stickers of god, placed inside a vehicle to ward off evil. The campaign will let people know that safety doesn't come from putting faith in superstition but from better driving etiquette," said Vanika.

The merchandise also has statistics of fines, road accidents, pedestrian fatalities and drunk driving cases directly sourced from the police in an attempt to drive sense into people. Saumya Pankaj worked with a project in Andhra Pradesh, which has diverse ethnic value and an amazingly defined cuisine inseparable from its people. She has designed 'inti' (Telugu for home), a proposed chain of restaurants that will be run by over 9 million women in Andhra Pradesh, not only providing employment to them but also fulfilling people's needs for hygienic food on national highways.

With many more fresh and exciting ideas like these, the expo offered some pathbreaking design solutions springing from a collective of imaginations. The event is on till today at Palace Grounds.

On a wild trail

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Capturing a moment and describing its story is something every photographer yearns for. Each of them have their own technique and tricks to showcase their work. For Jishnu Santheesh Babu, it's the world of the wild , that allows him to tell a story.

Having started his journey with a digital camera at the age of 13, he entered the world of photography, with a professional camera when he was in class 10. He says, "Street photography is what I began with. I would take my camera around the area and take pictures of whatever I would find interesting. Islowly moved to bird photography and now I'm only focussing on wildlife photography."

While his pictures of birds and animals are quite magical to look at, he says, that he has to wait around a lot to get a perfect picture. "No matter where I go, even if it is to a friends house, I take my camera along with me. You never know what you might stumble upon; a camera is always a must-have accessory for me. But there are plenty of time that I have missed capturing a picture because they run away before Ican get my camera ready," he says.

His trick is to lie down on the ground, watch what his object is doing and patiently wait to get a good picture.

Most of his travels have been around the Western Ghats. He wants to be a wildlife conservationist and talk about the animals he captures. Jishnu explains, "There are plenty of animals and birds that we are not aware of. If I am able to talk about them through my pictures and make a difference, I want to be able to do it. I want to bring awareness and help the animals in whichever way I can."

He displays his work on his Facebook and Instagram accounts called 'Jish Photographs'. He dreams of visiting Leh and Ladakh to capture pictures of the snow leopards.

The young lad is proud of the work he does and he hopes to bring about a change through his mesmerising pictures. He says, "Photography, to me, is the art of capturing that particular moment. It's about showing something that a naked eye misses. That's what I aim to do with my pictures and I hope to bring about a change with them."



Looking at the root cause

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It's been raining almost everyday and road users in the city are exposed to hazardous situations. Besides potholes, they also have to watch out for trees and small branches suddenly falling on them.

Road users point out that the authorities don't seem to have a scientific understanding and precise planning when it comes to the pruning and chopping of trees. It is the mindless cutting down of trees and pruning of branches, without an understanding of how it should be done, that leads to freak accidents due to trees falling on the road, point out many.

Anjana Mani, a teacher, says she fears treading the roads whenever it is raining. "The winds are so gusty and strong that I am scared to step out when it is raining. I travel by auto but you never know when a tree branch could fall and block your path or worse still, fall on you. Even the small pieces of wood splintered across the road could puncture the tyre. It is unthinkable to travel on Bengaluru roads when it rains," she says.

Two-wheeler riders are the worst affected during a downpour. Anil Giri Raju, a cost accountant, says that he never risks riding on Indiranagar 100 Feet Road and roads in and around M S Ramaiah Hospital, when it rains. "These roads have huge tree canopies on either side but you can never judge when a branch will fall on you. Even the smallest of tree branches falling on a rider could lead to a fatal accident. A rider can easily lose his balance or concentration in such situations," reasons Anil. "There is no inspection of old trees in the city. Trees and branches are cut just to make way for development. Even the trees that are cut in the name of road widening projects are dumped on the roadside causing more inconvenience to commuters, especially two-wheeler riders, because one can't really see the road," he adds.

There are people like Vivekananda H R, a chartered accountant, who points out that early planning and a proper evaluation of the weak trees in the city will not only save the cutting down of trees but also help channelise development in a way that it doesn't disturb the ecological balance. Vivekananda says that there are two issues that people face whenever it rains — tree branches falling and potholes that are filled with water. "You often see the staff of BESCOM hurriedly cutting the topmost branches of trees, to prevent them from touching the wires but they don't realise that they are destroying the balance of the tree. Most of the times, they simply chop the tree and leave the branches lying on the road which is worse," he says. He also points out that during rains, potholes and open manholes filled with water are potential death traps for any road user.

No doubt, the road widening projects have led to the senseless felling of trees and this has also weakened the roots of the existing trees. Deepti Fredrick, a student, feels environmental conservation and urbanisation must go hand in hand.

She says that she can't understand the logic behind cutting down so many trees just to widen roads.

"Basically, we are felling down these glorious giants to give way to more cars and thus, more pollution. We are racing towards development but not sparing a thought about conserving the environment for posterity," she says.

She also wonders why branches fall and trees are uprooted every time it rains in Bengaluru and yet the authorities don't seem to have learnt lessons from it. "We hear of how people meet tragic ends because of branches falling on them or how an entire tree comes crashing down. If you harm nature, it will come back to you. Proper urban planning to save our trees is the need of the hour," feels Deepti.

'I am in a very comfortable space'

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Actor Priyanka Upendra ventured into production with 'Uppi 2' which she thinks gave her an understanding of what goes on behind the scenes and why production is the most important component of a film. Now, Priyanka is in the process of writing a script which she hopes to act in and direct as well.

The trailer of her latest film 'Mummy', releasing in August, is out and it has already grabbed a lot of attention for its attractive visuals. In an interview with Nina C George, the actor shares her experience of working on the project.

You have now ventured into writing scripts...


This is the first time that I am writing a script and hope to direct it as well. But I am in no hurry and want to work on it at my own pace. Direction is something that I learnt on- the-job by watching Uppi work. A director is like the captain of a ship and I want to be perfect in every way before I take up directing.

Any plans of directing Upendra?


I first want to make a film with a different cast and prove my capabilities as a director before directing Uppi. I surely want to direct him someday, but he's a director himself and a perfect one at that. So I really can't make any mistakes.

How do you manage responsibilities at home and commitments at work?


I've been juggling work and home for a while now and I don't find it too taxing because I work at my own pace. I am in a very comfortable space where I have the freedom to work or choose to not work as well. I can produce a film if I wish to or simply choose not to work at all for a few months. I don't believe in working at a hectic pace.

What is your role in 'Mummy'?

Portraying the emotions of a pregnant woman can be quite exhausting. The director wanted to capture the essence of a pregnant woman and I hope I've managed to bring out what the director had in mind. The character that I play had to be powerful but vulnerable at the same time.

Your experience in the film.


I thoroughly enjoyed working on this film. People are used to seeing me play glamorous roles but I am waiting to see how they will react to the role that I've played in 'Mummy'.

Reasons to watch 'Mummy'.

The movie is different not only because of its unique characterisation but also because of its special sound and visual effects. We couldn't find a good house in Goa to shoot the haunted house scenes, so we ended up creating a set for the purpose. It took six months to make it. 80% of the film has been shot in the sets. The Dolby Atmos surround sound and VFX work on the visuals have enhanced the quality of the film.

Do you miss working in Bengali films?

I am not able to commit to doing a Bengali film because I have commitments in the Kannada film industry. Bengali cinema has some great scripts based on art and literature. They have good performance oriented subjects as well. Someday, I would like to explore remaking a Bengali film in Kannada. Both the industries are dear to me.

Flaunting the rich heritage

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She has been a popular household name for decades now. And after her successful stint in the television industry with serials like 'Banegi Apni Baat', 'Buniyaad' and 'Sonpari', she is now enchanted by the glamorous world of fashion. Actor turned designer Anita Kanwal is seen taking a different path now and is carving a niche even in this field.

"I was always fascinated by fashion and took a keen interest in styling the characters I played. That is why it was an easy transition from television to designing. I started by designing saris for my friends and daughters and the appreciation I received from them inspired me to take it up seriously," says Anita.

Ethnic outfits are something that have always attracted her and she uses her creativity to incorporate the rich heritage of fabrics and designs that India is blessed with in her work. "As an individual, I feel that the most beautiful creations of God are colours and imbibing these hues in my work is something I look forward to. India, as a country, is a symbol of colours and I have a traditional touch to my style of work because at heart, I am still a village girl," adds Anita.

Her new collection, 'Kaushalya', is a tribute to her mother who was very skilled at needlework. The collection has a 'musical' touch which is depicted through the rich handwoven artwork of musical instruments and musical notes, all placed perfectly on the sari. She explains, "I am concentrating on the detailing and intricacy of the motifs. With the design work of instruments like tabla, sitar, trumpet and 'ghungroos' in the form of embroidery, hand-painting and block prints on handwoven fabrics like linen, 'chanderi', 'pochampalli' silk, tussar and cotton, I have combined art and culture to give a contemporary twist."

So who is her customer? "I want to make saris the choice of young women living in different parts of the world. And by using musical instruments like trumpets, harps and the like, I am aiming at making this a young collection," says Anita.

Her forte, she says, lies in the choice of colours she picks and her strong desire to create something out of the box. "Ialways had a soft corner for rustic fabrics so I mostly work with handloom fabrics like tussar, 'chanderi' and linen to begin with. This time, I have ventured into teaming grey with vibrant aqua colours along with the usual bright colours that I generally work with," she says.

Ask her if she prefers acting or designing and she says, "This is like asking a mother which of her children she loves more. I will never be able to reply." She points out that breaking the general notion that saris are only for older women is her biggest challenge. "Since my designs are bold and unconventional, it's difficult to find people who can carry them with aplomb," says Anita.

The pot of luck

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Nivedita Chirantan doesn't remember a time when she was not interested in arts. This innate creative streak coupled with an unbridled enthusiasm for learning new things finds outlet in her many innovative experiments. "My mother was my biggest influence in this regard because even she is an avid learner of new arts and loves to beautify all things," she says.

It is this lineage of creating beauty that contributed to Nivedita's passion for pot-painting. The LLM graduate and stay-at-home mother buys pots from potters and decorates them with intricate and colourful designs which range from Kerala mural art, Warli and Madhubani to Gujarati and even Egyptian designs. The results are stunning and have garnered much praise.

The Facebook page for her collection called 'Nivious' bears testimony to how much her products are loved by people. Talking about how this venture was started, Nivedita says, "Once, for the new year, I wanted to gift my friends and family something unique and decided on painted pots. Once I started painting the pots, I got hooked. I just couldn't stop doing it. I made many pots to give as gifts. That's when I got the inspiration to start 'Nivious', something I am glad I did."

Not content with merely painting on pots, she has recently started using 'kundan' or crystals to accentuate the designs on the pots. These have been placed at points where it gives the design a different look and makes for a rare combination.

Explaining the painting process, Nivedita says, "I use terracotta pots and acrylic colours. These are normal pots, but I prefer getting them straight from the potter instead of buying from the market because that way, I can have more options and can also buy in bulk. And I use normal acrylic colours that one gets in craft stores."

She has received much positive feedback from people. But asked about her favourite compliment till date and Nivedita says with a smile, "People are generally very sweet and say only nice things. But once a dear one said, 'Your art speaks'. I was delighted to hear that."

Like every art, pot-painting has its unique set of challenges, she says. "The biggest challenge is getting the same kind of pots and pots with a neat finish. Most of the times, the pots that I buy won't be available next time. So when a customer wants a particular shaped pot, procuring it is difficult," explains Nivedita.

Talking about her future plans, the artist says, "I am getting a lot of attention from many ethnic stores and a couple of them even showcase my art. I want to expand my base from terracotta pots to other eco-friendly products. And maybe, eventually I could make 'Nivious' a name of quality in the home decor world."

(Nivedita can be reached at
8867514033)

'One has to experience India to understand it'

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Vincent Pierquet from France came to the city for a job almost three years back. But the adventurous character of the city bowled him over and he stayed on. Vincent is now the co-owner of 'Bonjour!', a French restaurant in Koramangala, and loves his stay here.

He had a stint in India in 2009 when he was studying at a business school. "I came for an internship to Delhi for a semester. The country treated me well," he says. Vincent went back to France and worked in Paris for a while after that. "In some time, I heard that a French company was looking for someone to work for their Bengaluru office and I was looking for a change too. There was no place, as adventurous as India, in my mind. That is when I decided to move here in 2013," he says.

Hailing from Charleville, which is close to the Belgium border, Vincent says that even the French don't know much about his native place. "My hometown is very small. The place is known as the capital of muppets — every three years, there is an international festival held there," says Vincent. The young expatriate has lived in Paris too and says that the places are very different in character. "Charleville has a countryside feel to it. Paris is a very vibrant place. Food there is very refined, but back home, we eat heavy meals including potatoes, bacon and cheese," he says.

People in Paris can be very busy and cold at the same time. "But it is the best place to be in. There is something continuously happening there. It's the city where one would feel alive," he says. But Vincent was looking for a change. "Things can seem monotonous when one is in one place for a long time. I appreciate my home country much more now," he says with a smile.

Vincent had only heard cliches about India before coming here. "I had heard about the Taj Mahal, the saris and the curries. But it's when one comes here that they realise there's much more to the country. People in Europe have a narrow image of India." Vincent enjoyed his semester in Delhi and he wanted to explore more of the country whenever possible. "Apart from a short trip to the city, I didn't know much about Bengaluru. When I came, I wasn't expecting anything. The Delhi experience has been rewarding — Delhi has a cultural life and is a heritage city. But that is lacking here. There is not much to see here," he says.

The early nightlife deadlines in the city were a surprise for him. "Everything closed early and this was different. But the people more than made up for everything. This is a haven for expatriates. Also Bengalureans are very kind and warm-hearted, which makes everyone's stay here fruitful," he says. He adds that be it a taxi driver or a professional, everyone is very accessible and easy to approach here. Vincent wasn't anxious when he moved to the city. "The only thing I was looking for was a flat," he says.

India is a different experience in different parts of the country. "Delhi was different and so is Bengaluru. The infrastructure of Bengaluru was a bit of a shock. Also, India is extreme in every sense. There are a lot of people and a lot of noise here," he says. Vincent says that life in Europe is more formal. "There is no honking there. In fact, it is interesting to explain one's stay in Bengaluru to people back home. My family was never able to understand what I was saying until they visited me and saw it for themselves," he says.

Working at 'Bonjour!' and interacting with people, Vincent says that he is always expecting an interesting experience each day. "Bengaluru is full of surprises. I am forever expecting something new to happen everyday. Sometimes, it is the customers — some walk in asking for a 'dosa' — and at other times, it is the weird traffic or other sights around. One has to experience India to understand it," he says.

Vincent has travelled extensively around the country and loves exploring new places regularly. "Since it is easy to travel from the city, I have gone to many places in India," he says. When he and his friends have some time to spare, they visit pubs and restaurants in Indiranagar. "I love going to 'Toit', 'Monkey Bar' and even 'ABC'," he says. He loves trying Indian food and says that he enjoys the varied flavours.

"Back home I had more non-vegetarian meals, but here the diet is dominated by vegetarian delights. It's so large that when I go home, I even tell my folks that we are doing it all wrong," he says with a laugh.


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